Literature Review[edit | edit source]

- Schroeder, M. R., “New Method of Measuring Reverberation Time,” J. Acous. Soc. Amer., vol. 37, no. 3, pp. 409–412 (1965). [1]

- Williams, E. G., Fourier Acoustics: Sound Radiation and Nearfield Acoustical Holography (Academic, New York, 1999).

- Meyer, J. and Elko, G. W., “A highly scalable spherical microphone array based on an orthonormal decomposition of the soundfield,” in IEEE International Conference on Acoustics, Speech, and Signal Processing, (2002).

- Bertet, S.; Daniel, J.; Moreau, S., “3D Sound Field Recording with Higher Order Ambisonics - Objective Measurements and Validation of Spherical Microphone”, 120th AES Convention, Paris, France, 20-23 (May 2006).

- Meyer, J. and Elko, G., “A Highly Scalable Spherical Microphone Array Based on an Orthonormal Decomposition of the Soundfield,” Acoustics, Speech, and Signal Processing (ICASSP), 2002 IEEE International Conference on, vol. 2, pp. II–1781, (2002).

- Abhayapala, T. and Ward, D., “Theory and design of high order sound field microphones using spherical microphone array,” Proceedings of Intl. Conf. on Acoustics, Speech and Signal Processing, (2002).

- Meyer, J. and Elko, G., Spherical microphone arrays for 3D sound recording, chap. 2 in Audio Signal Processing for next-generation multimedia communication systems, Eds. Yiteng (Arden) Huang and Jacob Benesty, Bosten, Kluwer Academic Publisher, (2004).

- Rafaely, B., “Analysis and Design of Spherical Microphone Arrays,” Speech and Audio Processing, IEEE Transactions on, vol. 13, no. 1, pp. 135–143 (2005). [2]

- Poletti, M. A., “Three-Dimensional Surround Sound Systems Based on Spherical Harmonics,” J. Audio Eng. Soc., 53(11), pp. 1004–1025, (2005).

- Pulkki, V., “Directional audio coding in spatial sound reproduction and stereo upmixing,” Proc. of the AES 28th Int. Conf, Pitea, Sweden, (2006).

- Pulkki, V. “Spatial sound reproduction with directional audio coding,” J. Audio Eng. Soc., vol. 55, no. 6, pp. 503–516, (2007).

- Goodwin, M. and Jot, J.-M., “Spatial Audio Scene Coding,” in Audio Engineering Society Convention 125, (2008).

- Tervo, S. "Direction estimation based on sound intensity vectors." Signal Processing Conference, 2009 17th European. IEEE, (2009).

- Vilkamo, J., Lokki, T., and Pulkki, V. "Directional audio coding: Virtual microphone-based synthesis and subjective evaluation." Journal of the Audio Engineering Society 57.9: 709-724, (2009).

- Tervo, S. "Direction estimation based on sound intensity vectors." Signal Processing Conference, 2009 17th European. IEEE, (2009).

- Zotter, F., Analysis and Synthesis of Sound-Radiation with Spherical Arrays, Ph.D. thesis, University of Music and Performing Arts Graz, (2009).

- Morgenstern, H. and Rafaely, B., “Enhanced Spatial Analysis of Room Acoustics Using Acoustic Multiple-Input Multiple-Output (MIMO) Systems,” Proceedings of Meetings on Acoustics, vol. 19, no. 1, Acoustical Society of America, p. 015018, (2013). [3]

- Morgenstern, H., Rafaely, B., and Zotter, F., “Theory and Investigation of Acoustic Multiple-Input Multiple-Output Systems Based on Spherical Arrays in a Room,” J. Acous. Soc. Amer., vol. 138, no. 5, pp. 2998–3009 (2015). [4]

- Morgenstern, H., Rafaely B., and Noisternig, M., “Joint Design of Spherical Microphone and Loudspeaker Arrays for Room Acoustic Analysis,” 41th Annual German Congress on Acoustics (DAGA), vol. 41 (2015).

- Stitt, P., Bertet, S., and van Walstijn, M., “Extended Energy Vector Prediction of Ambisonically Reproduced Image Direction at Off-Center Listening Positions,” J. Audio Eng. Soc., 64(5), pp. 299–310, (2016).

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Type Literature review
Authors Raimundo Gonzalez
Published 2018
License CC-BY-SA-4.0
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