Spherical Microphone Array: Difference between revisions

Revision as of 21:03, 1 May 2018

Literature Review

- Schroeder, M. R., “New Method of Measuring Reverberation Time,” J. Acous. Soc. Amer., vol. 37, no. 3, pp. 409–412 (1965). [1]

- Williams, E. G., Fourier Acoustics: Sound Radiation and Nearfield Acoustical Holography (Academic, New York, 1999).

- Meyer, J. and Elko, G. W., “A highly scalable spherical microphone array based on an orthonormal decomposition of the soundfield,” in IEEE International Conference on Acoustics, Speech, and Signal Processing, 2002.

- Bertet, S.; Daniel, J.; Moreau, S., “3D Sound Field Recording with Higher Order Ambisonics - Objective Measurements and Validation of Spherical Microphone”, 120th AES Convention, Paris, France, 20-23 May 2006.

- Meyer, J. and Elko, G., “A Highly Scalable Spherical Microphone Array Based on an Orthonormal Decomposition of the Soundfield,” Acoustics, Speech, and Signal Processing (ICASSP), 2002 IEEE International Conference on, vol. 2 (2002), pp. II–1781.

- Abhayapala, T. and Ward, D., “Theory and design of high order sound field microphones using spherical microphone array,” Proceedings of Intl. Conf. on Acoustics, Speech and Signal Processing, 2002.

- Meyer, J. and Elko, G., Spherical microphone arrays for 3D sound recording, chap. 2 in Audio Signal Processing for next-generation multimedia communication systems, Eds. Yiteng (Arden) Huang and Jacob Benesty, Bosten, Kluwer Academic Publisher, 2004.

- Rafaely, B., “Analysis and Design of Spherical Microphone Arrays,” Speech and Audio Processing, IEEE Transactions on, vol. 13, no. 1, pp. 135–143 (2005). [2]

- Poletti, M. A., “Three-Dimensional Surround Sound Systems Based on Spherical Harmonics,” J. Audio Eng. Soc., 53(11), pp. 1004–1025, 2005.

- Pulkki, V., “Directional audio coding in spatial sound reproduction and stereo upmixing,” Proc. of the AES 28th Int. Conf, Pitea, Sweden, 2006.

- Pulkki, V. “Spatial sound reproduction with directional audio coding,” J. Audio Eng. Soc., vol. 55, no. 6, pp. 503–516, 2007.

- Goodwin, M. and Jot, J.-M., “Spatial Audio Scene Coding,” in Audio Engineering Society Convention 125, 2008.

- Tervo, S. "Direction estimation based on sound intensity vectors." Signal Processing Conference, 2009 17th European. IEEE, 2009.

- Vilkamo, J., Lokki, T., and Pulkki, V. "Directional audio coding: Virtual microphone-based synthesis and subjective evaluation." Journal of the Audio Engineering Society 57.9 (2009): 709-724.

- Tervo, S. "Direction estimation based on sound intensity vectors." Signal Processing Conference, 2009 17th European. IEEE, 2009.

- Zotter, F., Analysis and Synthesis of Sound-Radiation with Spherical Arrays, Ph.D. thesis, University of Music and Performing Arts Graz, 2009.

- Morgenstern, H. and Rafaely, B., “Enhanced Spatial Analysis of Room Acoustics Using Acoustic Multiple-Input Multiple-Output (MIMO) Systems,” Proceedings of Meetings on Acoustics, vol. 19, no. 1 (Acoustical Society of America, 2013), p. 015018. [3]

- Morgenstern, H., Rafaely, B., and Zotter, F., “Theory and Investigation of Acoustic Multiple-Input Multiple-Output Systems Based on Spherical Arrays in a Room,” J. Acous. Soc. Amer., vol. 138, no. 5, pp. 2998–3009 (2015). [4]

- Morgenstern, H., Rafaely B., and Noisternig, M., “Joint Design of Spherical Microphone and Loudspeaker Arrays for Room Acoustic Analysis,” 41th Annual German Congress on Acoustics (DAGA), vol. 41 (2015).

- Stitt, P., Bertet, S., and van Walstijn, M., “Extended Energy Vector Prediction of Ambisonically Reproduced Image Direction at Off-Center Listening Positions,” J. Audio Eng. Soc., 64(5), pp. 299–310, 2016.

@@ Line 4: / Line 4: @@
 == Literature Review ==
-- Bertet, Stéphanie; Daniel, Jérôme; Moreau, Sébastien, “3D Sound Field Recording with Higher Order Ambisonics - Objective Measurements and Validation of Spherical Microphone”, 120th AES Convention, Paris, France, 20-23 May 2006.
+- Schroeder, M. R.,   “New Method of Measuring Reverberation Time,” J. Acous. Soc. Amer., vol. 37, no. 3, pp. 409–412 (1965). [http://dx.doi.org/10.1121/1.1909343]
+- Williams, E. G., Fourier Acoustics: Sound Radiation and Nearfield Acoustical Holography (Academic, New York, 1999).
-- Author(s) [Last name, First initial], “Title of paper,” [in quotation marks], presented at the [number] Convention of the Audio Engineering Society, J. Audio Eng. Soc. (Abstracts), vol., pp., (year month).
+- Meyer, J. and Elko, G. W., “A highly scalable spherical microphone array based on an orthonormal decomposition of the soundfield,” in IEEE International Conference on Acoustics, Speech, and Signal Processing, 2002.
-Example: Klippel, W., “Speaker Auralization – Subjective Evaluation of Nonlinear Distortion,” presented at the 110th Convention of the Audio Engineering Society, J. Audio Eng. Soc. (Abstracts), vol. 49, pp. 526-527 (2001 June), convention paper 5310.
+- Bertet, S.; Daniel, J.; Moreau, S., “3D Sound Field Recording with Higher Order Ambisonics - Objective Measurements and Validation of Spherical Microphone”, 120th AES Convention, Paris, France, 20-23 May 2006.
+- Meyer, J.  and Elko, G., “A Highly Scalable Spherical Microphone Array Based on an Orthonormal Decomposition of the Soundfield,” Acoustics, Speech, and Signal Processing (ICASSP), 2002 IEEE International Conference on, vol. 2 (2002), pp. II–1781.
+- Abhayapala, T. and Ward, D., “Theory and design of high order sound field microphones using spherical microphone array,” Proceedings of Intl. Conf. on Acoustics, Speech and Signal Processing, 2002.
+- Meyer, J. and Elko, G., Spherical microphone arrays for 3D sound recording, chap. 2 in Audio Signal Processing for next-generation multimedia communication systems, Eds. Yiteng (Arden) Huang and Jacob Benesty, Bosten, Kluwer Academic Publisher, 2004.
+- Rafaely, B., “Analysis and Design of Spherical Microphone Arrays,” Speech and Audio Processing, IEEE Transactions on, vol. 13, no. 1, pp. 135–143 (2005). [http://dx.doi.org/10.1109/TSA.2004.839244]
+- Poletti, M. A., “Three-Dimensional Surround Sound Systems Based on Spherical Harmonics,” J. Audio Eng. Soc., 53(11), pp. 1004–1025, 2005.
+- Pulkki, V., “Directional audio coding in spatial sound reproduction and stereo upmixing,” Proc. of the AES 28th Int. Conf, Pitea, Sweden, 2006.
+- Pulkki, V. “Spatial sound reproduction with directional audio coding,” J. Audio Eng. Soc., vol. 55, no. 6, pp. 503–516, 2007.
+- Goodwin, M. and Jot, J.-M., “Spatial Audio Scene Coding,” in Audio Engineering Society Convention 125, 2008.
+- Tervo, S. "Direction estimation based on sound intensity vectors." Signal Processing Conference, 2009 17th European. IEEE, 2009.
+- Vilkamo, J., Lokki, T., and Pulkki, V. "Directional audio coding: Virtual microphone-based synthesis and subjective evaluation." Journal of the Audio Engineering Society 57.9 (2009): 709-724.
+- Tervo, S. "Direction estimation based on sound intensity vectors." Signal Processing Conference, 2009 17th European. IEEE, 2009.
+- Zotter, F., Analysis and Synthesis of Sound-Radiation with Spherical Arrays, Ph.D. thesis, University of Music and Performing Arts Graz, 2009.
+- Morgenstern, H. and Rafaely, B., “Enhanced Spatial Analysis of Room Acoustics Using Acoustic Multiple-Input Multiple-Output (MIMO) Systems,” Proceedings of Meetings on Acoustics, vol. 19, no. 1 (Acoustical Society of America, 2013), p. 015018. [http://dx.doi.org/10.1121/1.4798988]
+- Morgenstern, H., Rafaely, B., and Zotter, F., “Theory and Investigation of Acoustic Multiple-Input Multiple-Output Systems Based on Spherical Arrays in a Room,” J. Acous. Soc. Amer., vol. 138, no. 5, pp. 2998–3009 (2015). [http://dx.doi.org/10.1121/1.4934555]
+- Morgenstern, H., Rafaely B., and Noisternig, M., “Joint Design of Spherical Microphone and Loudspeaker Arrays for Room Acoustic Analysis,” 41th Annual German Congress on Acoustics (DAGA), vol. 41 (2015).
+- Stitt, P., Bertet, S., and van Walstijn, M., “Extended Energy Vector Prediction of Ambisonically Reproduced Image Direction at Off-Center Listening Positions,” J. Audio Eng. Soc., 64(5), pp. 299–310, 2016.